Barbara Ellmann: An Open Book 2 at the Marks Art Center

I had the great pleasure of seeing Barbara Ellmann’s dynamic exhibition, An Open Book 2, at the Walter N. Marks Center for the Arts in Palm Desert, California last month. The exhibition, which ran from February 4 to March 11, was partially funded by the McCallum Theatre Institute’s Aesthetic Education Program, produced in conjunction with the Marks Art Center at the College of the Desert and was beautifully curated by Sophia Marisa Lucas. The Marks always presents terrifically exciting, innovative shows and I am continually impressed by the quality of their curatorial focus. An Open Book 2 was no exception.

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For more information about the Marks Art Center and Barbara Ellmann:

http://www.collegeofthedesert.edu/community/gallery/Pages/default.aspx

https://barbaraellmann.com

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Nick Theobald: With Honey From The Rock at Richard Taittinger Gallery

There is a particular sensation that comes with rain. Time slows and one’s tactile appreciation of touch, sound and smell is heightened. One luxuriates in that sensation as the perception of time slows with the elongated drumming pause that accompanies the steady fall of liquid from the sky. I felt that sense of suspension while viewing Nick Theobald’s almost reverential solo at Richard Taittinger Gallery on Manhattan’s Lower East Side. The works present in the gallery slow one’s sense of time and bathe the viewer in their tranquil, organic materiality like rain.

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More information about Nick Theobald and Richard Taittinger Gallery can be found on their websites below. With Honey From The Rock runs through December 12th. Richard Taittinger Gallery , 154 Ludlow Street, New York, NY.

http://richardtaittinger.com

http://nick-theobald.com

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William Perehudoff at Berry Campbell Gallery

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I really enjoyed being introduced to William Perehudoff’s beautiful works on display at Berry Campbell Gallery in Chelsea. Perehudoff, a Canadian artist who died in 2013, was one of Canada’s foremost abstract colorfield painters. You can find more information on Perehudoff’s work on the Berry Campbell website and there’s also an interesting interview with the artist on youtube.

http://www.berrycampbell.com/artist/William_Perehudoff%20(Estate)/works/#!1090

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between a place and candy: new works in pattern + repetition + motif

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David Poppie, Wandering Stars II, 2013, Colored Pencils on Panel

Courtesy Pavel Zoubok Gallery, New York

Great work lingers, and the works that were a part of between a place and candy: new works in pattern + repetition + motif, organized by Norte Maar and curated by Jason Andrews at the 1285 Avenue of the Americas Gallery, were no exception. They lingered. And they are still lingering 4 months later. The exhibition ran in New York from March 16 – June 12, 2015, and I had the great pleasure of seeing it in June before it closed. I had meant to write about the work right away but life got in the way and this post kept being put off, but the lingering power of the work haunted me. I am still struck, months later, by how immediate the work is, even in the photographs. The works still have a confident, visceral impact; Look at me and remember.

Home

There is a curious power to pattern and repetition. Many of the works in between a place and candy felt to me like emotional maps. Through the repetition of color, shape and line the works guide the viewer to look deeper, closer, both within the depths of the visual confines of the frame and also within the depths of the viewers own internal emotional memory. Through shape, delicate line, color, form and material substance the artists whose works comprised this exhibition reminded the viewer of the power of form, the resonate heft of replication and the guiding influence of line, both colored and not. These visual forces compel us to linger, to ponder, to wonder and to reflect. There is great power in that.

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David Poppie, Wandering Stars II (Detail)

http://davidpoppie.com

http://pavelzoubok.com

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Robert Zakanitch, Hanging Gardens Series (By the Seal), 2011/12, Gouache and Colored Pencil on Paper, 96 x 60 inches

Courtesy of Nancy Hoffman Gallery, New York

http://www.nancyhoffmangallery.com

http://www.zakanitch.com/page2.html

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Robert Zakanitch, Hanging Gardens Series (By the Seal) Detail

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Lori Ellison, Untitled 2010, Gouache on wood panel

Courtesy McKenzie Fine Art

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Lori Ellison, Untitled 2012, 2013, 2008 & 2010 & Bedford Boogie Woogie Blue 2010, Gouache on wood panel

Courtesy McKenzie Fine Art, New York

http://www.mckenziefineart.com

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Leslie Kerby, The Contained World, 2015, Oil on Cardboard

http://lesliekerby.com

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Leslie Kerby, The Contained World (Detail)

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Mary Judge, Bacio, 2015, Flasche on Linen on Panel, 25 x 25 inches

http://www.maryjudge.com

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Jessica Weiss, Queen for a Day, 2014, Silkscreen, collage and acrylic on canvas, 70 inches x 68 inches

http://www.jessicaweiss.net

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Jessica Weiss, Queen for a Day (Detail)

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Colin Thomson, Medium, 2015, Oil on Canvas, 58 x 52 inches

Courtesy of Outlet Fine Art, Brooklyn

http://www.outletbk.com

http://www.colinthomsonstudio.net

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Margaret Lanzetta, Air Chrysalis, 2014, Oil and acrylic on canvas

http://margaretlanzetta.com

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Samantha Bittman, Untitled (2004 – 009), 2004, Acrylic on Handwoven Textile, 25 x 20 inches

Courtesy of Andrew Rafacz Gallery, Chicago and Outlet Fine Art, Brooklyn

http://www.andrewrafacz.com

http://www.outletbk.com

http://samanthabittman.com/home.html

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Libby Hartie, Untitled #21 (Arrow), 2015 Graphite Collage on Paper Mounted on Panel, 45 x 90 inches

http://www.outletbk.com

Art Los Angeles Contemporary 2014

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The element of surprise is a rare commodity these days, but Art Los Angeles Contemporary always hold surprise and this year was no exception. The sun was out and rainbows were shining on a pot of art fair gold in Santa Monica.

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Simon Evans, Jack Hanley Gallery, New York

http://www.jackhanley.com

Art Los Angeles Contemporary takes place every February at the Barker Hanger at the Santa Monica airport in Santa Monica, California. The show has a much more contemporary vibe than the more staid and at times weezingly grey LA Art Show. ALAC presents 70 established and emerging galleries from around the world. Each year I am introduced to new galleries and artists at this fair and its easy relaxed vibe is consistently punctuated with moments of  visual “wow” and a few moments of dumbfounded “what the *@$#”. Both are good things.

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Obtaining information at ALAC is a mixed bag. I like to get to the fair early in the day and as a result some galleries are unattended and in others the gallerist may be busy or shockingly aloof. Wallcards are present at some booths and at others non-existent so it can be difficult to gather information about the work itself. I have included as much text as possible with the images that follow. In most instances I was able to include the name of the artist and the gallery. I have included materials, dimensions, date and some background information or links to more background information in cases where I was able to engage the gallerists directly and ask about the work.

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Alex Hubbard, Standard (OSLO)

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Alex Hubbard (detail)

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Aaron Garber-Maikovska, Standard (OSLO)

http://www.standardoslo.no/en/home

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Despina Stokou, Bad Curating, 2013
oil, spray paint, marker, oil crayon, charcoal, pastel chalk, collage on canvas
98.4375″ x 78.75″, Derek Eller Gallery, New York

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Despina Stokou, Bad Curating (detail), Derek Eller Gallery, New York

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Despina Stokou, Ruin Art (red), 2013
oil, spray paint, marker, oil crayon, charcoal, pastel chalk, collage on canvas
98.4375″ x 78.75″, Derek Eller Gallery, New York

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Despina Stokou, Ruin Art (red), (detail) , Derek Eller Gallery, New York

http://derekeller.com/index.html

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Kendell Carter, Monique Meloche Gallery, Chicago, Illinois

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Kendell Carter (detail)

http://moniquemeloche.com

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Shezad Dawood, MGH 09, Acrylic on vintage textile, 2013, Paradise Row, London, UK

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Shezad Dawood, MGH 09 (detail)

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Shezad Dawood, MGH 07, Acrylic on vintage textile, 2013

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Shezad Dawood, MGH 07 (detail)

http://www.paradiserow.com/artists/31-Shezad-Dawood/overview/

There was, as the above and some of the following images attest, lots of great work. One of the themes percolating this year were works that were, in small or not so small ways, decaying or in some cases, partially erased. The following work was not a particular favorite of mine, but it does indicate  one of the present structural themes at the fair. Some of the works literally looked like they were falling apart, and the conservator in my head was taking note of the delicate state of much of the work and especially the fugitive nature of the materials themselves. The ephemeral nature of things and it’s translation into materials, process and the object itself is a story I am seeing from a lot of artists these days. Myself included.

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JPW3 (J. Patrick Walsh 3)  Night Gallery, Los Angeles

I’m pretty sure the above painting is wax based. The gallerist wasn’t terribly forthcoming with information on this artist. There are links below to the gallery’s website and an interesting interview with J. Patrick Walsh 3.

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JPW3 (detail)

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JPW3, Night Gallery, Los Angeles, California

http://www.nightgallery.ca

http://doeasyart.com/artists/studio-visit-and-interview-patrick-j-walsh-iii-los-angeles/

Robert Davis’ works were some of the more striking pieces to utilize not so common painting materials. Many of his organic yet strangely modern linen canvases were colored with rabbit skin glue or coffee.

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Robert Davis, Picture of Silence, Rabbit skin glue and oil stick on linen, 2013, 72″ x 48″

Bill Brady/KC, Kansas City, Missouri

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Robert Davis, Picture of Silence (detail)

http://www.billbradykc.com

https://artsy.net/artwork/robert-davis-picture-of-silence

There were also many works that were striking in their pared down simplicity.

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Dan Bayles, François Ghebaly Gallery, Los Angeles, California

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Dan Bayles, Strip Study, Photo and acrylic on panel, 2013, 20″ x 16″

François Ghebaly Gallery, Los Angeles, California

http://ghebaly.com

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Alain Biltereyst, Untitled, 2013, Acrylic on plywood

Jack Hanley Gallery, New York

http://www.jackhanley.com

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John Houck, Creased archival pigment prints, On Stellar Rays Gallery, New York

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John Houck

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John Houck

http://onstellarrays.com/artists/john-houck/

http://www.johnhouck.com/work/history-of

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Imi Knoebel

From left to right, An Meine Grüne Seite C12-5, An Meine Grüne Seite B 12-8, last work same artist but unidentified.

All works Acrylic on aluminum, acrylic on plastic-coated paper and aluminum shelf

Galerie Christian Lethert, Cologne, Germany

http://www.christianlethert.com

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Lisa Williamson, Tif Sigfrids, Los Angeles, California

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Lisa Williamson, Tif Sigfrids, Los Angeles, California

http://www.tifsigfrids.com

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Ry Rocklen, Dilation Disco, Crewel embroidery, copper and nickel plating, 2013, 17.5″ x 14.5″

Thomas Soloman Gallery, Los Angeles, California

http://www.thomassolomongallery.com

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Juan Capistran, Nothing Everything, Archival Pigment Print

Thomas Soloman Gallery, Los Angeles, California

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York Chang, Greene Exhibitions, Los Angeles, California

http://www.greene-exhibitions.com/Winners_Main.php

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York Chang (detail)

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York Chang (detail)

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Jennifer Nocon, Wool felt and ceramic, Tracy Williams, Ltd., New York, New York

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Jennifer Nocon (detail)

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Jennifer Nocon (detail)

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Mike Pratt, Terracotta Olive, Workplace Gallery, Gateshead, UK

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Mike Pratt, Terracotta Olive (detail)

This last image takes a bit of explaining. When I walked into the booth I saw the plastic jug on the floor and took a photo of it. The friend that I was with had some doubt about the jug being art. I said I thought it was because the placement was so deliberate. When the gallerist returned to the booth we asked, and yes, the jug was indeed a work. It was created by the artist Sean Raspet. Sean often creates sensory environments with signature scents and this jug was one of them. When the gallerist opened the jug I leaned down to smell it. Honestly I couldn’t smell much, but I liked the idea behind the work. Ideas were the highlight of this years ALAC. There were some great conversations about the works themselves and in most instances the conversations illuminated the works in ways that were unanticipated. Another eye-opener from a fair that never lacks for surprises.

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From left Josh Kolbo & Sean Raspet, Société, Berlin, Germany

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Sean Raspet (detail)

http://www.societeberlin.com

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